![]() ![]() Armed with a sickle and lute, this maniacal minstrel is a versatile class that has several tricks up his sleeves. The Jester brings all of these in spades. ![]() ![]() ![]() The concluding Rondo (so-called, but not your typical rondo), alternates an sprightly, elfin tune (in A minor) reminiscent of Mendelssohn with a more lyrical one, but finishes with a variation (in C major) without the usual return to the opening key center.In the darkest depths of these twisted lands few things are as welcomed as a good laugh, a merry song, and razor sharp blade. The lyrical Andante (in A major) has a lively middle section (in A Minor). 25 remains a favorite not only of flutists, but has been arranged for other combinations of soloists and also with orchestral accompaniment. His often-recorded Andante and Rondo for Two Flutes and Piano, Op. Franz was celebrated as a composer especially for his popular ballets, but today he is most remembered for his works that feature the flute. Early in their careers, the touring brothers apparently were quite the picture when they performed: the left-handed Karl held his flute "backwards" as it were, creating a mirror image of his right-handed brother as he stood opposite him. Karl eventually settled down as the Kapellmeister in Stuttgart (Germany), while Franz moved to Austria as conductor of the Vienna Court Opera. Born in Lemberg, Poland (the present-day Lvov, Ukraine), the brothers gained fame touring Europe with their flute duo recitals, and both became prominent members of Hungarian orchestras. Virtuoso flutist and composer (Albert) Franz Doppler (1821-1883) arranged and composed much music for two flutes specifically to play with his younger brother, Karl Doppler (1825-1900). But when one of them hurls a father’s curse at Rigoletto, the superstitious jester is horrified-and, as it turns out, with good cause. The Duke routinely seduces the wives and daughters of his courtiers, and Rigoletto takes great pleasure in mocking and humiliating the wronged noblemen. Based on Victor Hugo’s tragic play, Le roi s’amuse (1832), Verdi's title character is the spiteful court jester to the Duke of Mantua. 38, drawing on tunes from the ever-popular Rigoletto (1851), by Italy's foremost opera composer, Giuseppe Verdi (1813–1901). The flute duets they played were usually written or adapted by the elder Franz, but the two brothers collaborated in preparing the Rigoletto-Fantaisie, Op. Franz was celebrated as a composer especially for his popular ballets, but today he is most remembered for his works that feature the flute.Įarly in their careers, the touring brothers apparently were quite the picture when they performed: the left-handed Karl held his flute "backwards" as it were, creating a mirror image of his right-handed brother as he stood opposite him. By 1829, when Gioachino Rossini (1792-1868) retired after the premiere of his 39th opera, Guillaume Tell, he had become the most popular composer in the history of music for the stage, so it is no mystery why the virtuoso flutist and composer (Albert) Franz Doppler (1821-1883) would want to include a Potpourri on Rossini's "The Barber of Seville" among the various arrangements of opera tunes for two flutes he wrote for concert performances with his younger brother, Karl Doppler (1825-1900). ![]()
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